Project Log

Dina Foxx 2

Dina Foxx 2 wins Rockie Award 2015

Dina Foxx wins Best Interactive Fiction at the Banff World Media Festival

One more for the Road: Dina Foxx just won it's third Rockie Award from the Canadian Banff World Media Festival . Just like in 2012, Dina Foxx 2 was selected best programme in the category Interactive Fiction. Here is the official winner's list.

And this time one of us showed face. Our Online-Producer Kristian Costa-Zahn made it all the way over there from Berlin and was lucky enough we won!

Dina Foxx wins Digital Emmy 2015

Dina Foxx was awarded the International Digital Emmy in Cannes in the category "Digital Program: Fiction"

So it's true... The Emmy-Gala at the MIPTV in Cannes revealed the final winners of the digital Emmy Race. And Dina Foxx 2 won against three other competitors as best digital fiction program.

Also nominated were the projects "Geração Brasil: Filma-E" ("Now Generation") from Brasil, "Are you on the Blacklist" from Canada and "Hanbun no Sekai" ("Half & Half") from Japan.

The International Academy of Television Arts and Sciences praised Dina Foxx particularly as "a dramatic crime story that tackles relevant contemporary topics and turns transmedia entertainment into a fluid experience, won the Fiction category." (Winners 2015)

Present at the Gala was director nd Concept-coordinator Max Zeitler, ZDF commissioning editor for the online Part Milena Bonse, the producer for the film parts Leif Alexis, online-producer Kristian Costa-Zahn and leading lady Katharina Schlothauer.

The award is an honour to all of us and it shines on the entire team that helped develop and produce this project. Thanks to everybody!

Digital Emmy Nomination for Dina Foxx 2

Winners will be announced at MIPTV 2015 in Cannes

We're happy to announce that Dina Foxx 2 is in the final race for the top award for digital projects - the International Digital Emmy Award. (Nominations 2015 )

The International Academy of Television Arts & Sciences in New York has announced 12 projects that will compete for this yeras Digital Emmy. Dina is running against three other projects in the category Digital Program: Fiction.

The Winners will be announced during MIPTV's opening night festivities on Monday April, 13 in Cannes.

"The Academy is proud to showcase and recognize the world’s best digital programs, producers and creators for a tenth year at MIPTV,” said Bruce L. Paisner, the president and CEO of the International Academy of Television Arts & Sciences. “The 2015 nominees once again embody the cutting edge of digital creativity.”

Dina Foxx - Creation & Development

A lot of people keep asking me how Dina Foxx actually came about – here is a chronology in three stages:

1. A talk in the mountains and a digital doppelganger:

It all started in the middle of 2005 with a discussion with our friend Dinah Flusser (daughter of philosopher Vilem Flusser) in the bavarian country-side, the Osterbuchberg. Walking through the green hills we speculated about a very simple guy who has never done anything wrong in his life but who would suddenly be targeted by digital profiling software and then be arrested as a terrorist.

He should be called George, Dinah said. "And he should be christian!" So the next three years I spent writing various proposals for films called "Being George". They went from a pure documentary format to fictional documentary to near-science fiction feature-format (taking place in 2020) about George being "hunted" by–what i called–a "digital doppelganger". Then it went back to a documentary format (leaving out all the expensive parts!) including discussions on the web with IT-experts about a digital doppelganger.

In the near-future scenario, George was the boss of an IT-company (the likes of google) that had developed a digital doppelgänger-system to manipulate people in real live. And George would become a victim of his own system because–it would get “hijacked” by outsiders.

2. ZDF-development, the first:

The last proposal must have ticked a box with a commissioning editor at ZDF. Burkhard Althoff, of the ZDF debut filmmaking department (ZDF-Das Kleine Fernsehspiel) showed interest. We met (early september 2008), talked about combining TV and Internet and from there it went into the first ZDF-development phase:

I think, it was him who suddenly suggested to not use the internet-part for the documentary side but turn it into a game: break up the TV-film and have the users investigate a case online. Sounded good!

After a few more meetings with commissioning editors from the ZDF-online department (Lucia Haslauer who first brought in the posibility of creating an ARG and Isa Ostertag) the ZDF decided to fund a small development team: Dörte Franke came onboard for writing the TV-script (with me), Christoph Falkenroth for working on the online part (with me). With Burkhard Althoff and Lucia Haslauer we were now five people working on the project.

We created a story based on the Amanda Knox-case about a attractive young woman (first we called her Natalie, then Dinah in (my) lovely memories of Dinah Flusser’s input during the previous three years–and as an hommage to her parents live-story) who would be found in a murder-scene with all the evidence pointing at her to be the murderer. We wanted her to be intelligent, attrativ, sexy. The audience should feel sorry for her and get activated to help her at the end of the film. In this version we still had 2 (classic) investigators taking on the case and getting into various fights. (One was called Keyser to keep as remembering that we wanted some “unheimlichkeit” (scary presence) through the digital doppelganger. (It was called Dixie in reference to the saved consciousness of cyber-cowboy McCoy Pauley, nicknamed “Dixie Flatline” in William Gibson’s Neuromancer. And Dinah went from Flux to Foxx in loving memory of our inspiration Amanda Knox.)

We aurrounded Dina with an international crowd of young people who were all to be suspects and we roughly lined out how the film could be prepared with social-media on the web (before the screening) and how some film-scenes could be reviewed for the inverstigation. Some of the sets from the film should be investigated by the online game–espacially the murder scene and the police department.

This propsal got greenlighted for proper script-development in the summer of 2009. But it's gotten pretty complex. We felt the need for a whole team of online-developers to cover all the complexities this project would bring along.

3. Final Development with ZDF, teamworx and Ufa-lab

This team came along at the very end of 2009 with the foundation of UFA’s laboratory for online-experiments, the Ufa-Lab. It opened early 2010 and they offered us 5 developers plus an online producer to work on the project: young, motivated, well trained (and all for the money of one developer...). At the ZDF, the online-part of our project was now managed by a new commissioning editor: Milena Bonse. Our TV-writer, Dörte, unfortunately had to leave. So we needed a new author as well. It turned out to be Boris Dennulat. And since the UFA is probably Germanys largest production company, the also have TV-production-companies. We endet up working with the UFA-daughter teamworx (now UFA-Fiction)

By the time we started working again we had basically exchanged the entire team except for Burkhard Althoff and me. (full list of people: Max Zeitler, Kristian Costa-Zahn, Leif Alexis, Burkhard Althoff, Milena Bonse, Boris Dennulat, Martha Friedrich, Markus Kaiserswerth, Maxim Kuphal, Drita Parduzi und Philipp Zimmermann)

The new team (now 11 people all together) started working in march 2010–entering the third and final development phase. And now we developed what would become the final version of Rescue Dina Foxx!.

We changed a lot–especially the world that Dina would live in. We turned her into a private (overly) motivated digital privacy activis running the privacy-ngo freidaten.org and taking on the role of privacy heroine “Datagrrrl”. For freidaten.org we created a whole new set of characters around her and the inventd a couple of new companies that we needed for the story-world. But we kept a lot, too–especially the key setup of Dina being accused of having killed somebody (her boyfriend Vasco this time) and her environment being manipulated by a digital doppelganger. (This time, we placed it in a start-up company called avadata pretending to work for their customer’s privacy rights whilst in fact the company’s boss, Holger, was putting together the secret digital doppelganger. It got more complicated than this, there was a whole secret society behind it, the “Aachener Circle”, but let’s not get into that… look it up on the trail.

When this (last) version of Dina Foxx finally went into production in October 2010 five years of development came to an end. Now it was time to direct...

Rescue Dina Foxx! was broadcast on ZDF on April 20, 2011 and the game began…

Update September 2012:

The team for working on the sequel has changed:
apart from the four employes of the companies (two from ZDF, one from teamworx, one from UFA-lab), and one writer (and me) we have a new team of now 12 people. let’s see where it takes as this time…

Dina Foxx 2 Development

Team sorted, contracts signed - Dina Foxx 2 now officially "in development"

The company setup remains the same:
ZDF, UFA Fiction (formerly teamWorx), UFA-Lab.

My own function will be director, co-author and "concept-coordinator" for online and TV. Nina Pourlak took over as the main author for TV.

Commissioning editors stay the same:
Milena Bonse (ZDF-Online) and Burkhard Althoff (ZDF-Kleines Fernsehspiel).

Creative Producers are again the Leif Alexis (TV, UFA Fiction) and Kristian Costa-Zahn (online, UFA-lab).

The online-team in alphabetical order:
Severin Brettmeister, Maike Coelle, Daniel Helbig, Zen Melzer, Patrick Möller

Dina Foxx 2 shoot

Dina Foxx 2 shoot starting on 10 September 2013

After about 1,5 years development Dina Foxx 2 finally started production. The shoot for the two TV-films startet on 10 September. It will go on for 29 days and we'll have to cover a lot of material: Two TV-films and various online-stuff including some complex narrative 360°-videos.

Dina Foxx 2 Shoot is a wrap!

29 days of shooting are over...

After 29 exciting stressfull exhausting exhilarating annoying successfull days it's over. now it's all up to the post... above is little impression from the wrap-up t-shirts...

in the meantime exozet is working on our online-part and it'll all come together just fine.

Dina Foxx starts 9 Nov 2014

"Dina Foxx 2 - Deadly Contact" will start on ZDF 9 November

The second season of Dina Foxx is about to kick off. Official launch date is 9 November 10.00 am for the online experience. In two TV-parts Dina fights against powerful enemies trying to save her brothers life and to stop a quickly spreading pandemic. The second Dina Foxx-event is framed by two TV-parts aired within a week around a multi-platform online universe. on smartphones, tablets and desktops users can help Dina investigate. Those in the audience who dig deep enough will find the whole truth and see the second TV-Episode with different eyes. The main online hub is at dinafoxx.zdf.de. iOs apps for iPhone and iPad are available in itunes. enjoy!    

Dina Foxx 2

Digital Emmy-Winning Second Event of ZDF-Series Dina Foxx. (Co-) Created, co-written and directed by Max Zeitler, it premiered in 2011 on ZDF with “Rescue Dina Foxx!”. The sequel, “Deadly Contact”, was aired in November 2014.
Short facts:
start here
dinafoxx.zdf.de
TV
2 x 43 mins each
Webseries
7 parts each 2-6 Minutes
Biobricks
Match-3 game
360º Investigation
7 Interactive 360° videos and illustrations with 70 riddles
APP
iOS, Android
Max Zeitler
Director, Co-Writer, Concept-Coordination (Showrunner)
Network
ZDF
ZDFneo
ZDFkultur
TV-Production
UFA-Fiction
Online-Production
UFA-Lab
Details
Dina Foxx on IMDb
Several excerpts from the movie and web series are right here:
Vimeo as well as 360º Video
Awards:
International Digtal Emmy Award 2015
Category: Digital Program Fiction
36. The Telly Awards (2015)
Category: Category: Non-Broadcast Productions & TV Programs, Segments, or Promotional Pieces
Banff World Media Festival 2015
Rockie Category: Interactive Fiction
Interactive Media Awards 2015
Category: Entertainment (Outstanding Achievement)

Dina Foxx 2

consists of two 45 minute films which framed the event on TV, and an online week in between. There users can enjoy three additional formats: a simple web series for leanback users; a match-3 casual game for those who want to play, and a collection of interactive 360° videos for heavy investigators. You can watch the whole experience at dinafoxx.zdf.de or with the Dina Foxx-app for iOS or Android.

Film 1

The first TV film introduces you to Dina and the drama of a rapidly spreading epidemic in Berlin. The outbreak begins when Dina’s brother Aaron falls into a coma after her birthday party and then a series of other victims begin to die or fall ill. At first doctors presume the outbreak to be drug-related but Dina increasingly suspects it might be related to a new genetically modified tomato that is supposed to be beneficial against cancer. When she realises that the general public need to be warned, a mysterious stranger intervenes to stop her…

In the subsequent online part users are presented with three options:

1. Who is the Stranger? – in the web series:

In seven parts (about 30 minutes all together) we follow Dina into an industrial cellar and enter a rough and dirty interrogation between Dina and a stranger who claims to be a friend of her father’s. The narrative is woven into the same timeline as the TV-plot. Watching the online series you lead you to see the second TV film with different eyes.

2. Fight the Epidemic! – in the casual game:

Kilian, the scientist, invites us to join his bio-hacking community to help discover (and fight) the virus. It’s an easily accessible and mobile match-3 game that takes you into the microscopic atmosphere of fluid cell-nuclei and biobricks (DNA building bricks).

3. Find the Truth! – in the 360° investigation:

The most interactive part of Dina Foxx comes with Jason’s own investigation. We can join him in his effort to find out the truth by visiting seven 360° scenes – part video, part illustration. Mobile users can change their perspective in the 360° sets by moving their smartphones or tablets. Each video contains vital clues that lead to a total of 62 riddles successively uncovering the whole truth.

Film 2

The story concludes on TV with a showdown between political activists and the genfood company, and brother Aaron’s recovery. But when Dina wants to talk to him, he jumps into a black limousine and is driven away.

Jason pulls up, whispers something to Dina. What she hears is clearly disturbing. She breaks into a run, suggesting that story will yet continue…

Online-users already know what Jason has told her and can piece the puzzle together. TV-users can now go online and find out what really happened…